Wednesday, July 25, 2018

Multiple Purposes of 'Prelude to Atheism'

It is extremely crucial for me to communicate that many of the ideas in this writing were intended primarily as brainstorms for how to write characters into a fictional work. 'Prelude to Atheism' in one dimension was simply an effort to wallow in complexity in many cases. Real life personalities and psychologies are too complicated for the interpretations I laid out, and I do not deem myself an expert in those matters - only that that's what fiction writers have to create when they write.

Writers construct characters that have faults and strengths. They take the rights of interpretation into their hands. They must play God and make assertions about the Universe in realms where they lack expertise. They make statements despite not having degrees in political theory, the social sciences, or theology.

When converting information about the real world into a fictional one, the truth takes a back seat in priority to whatever can keep a story-line interesting - or make for drama that can keep an audience's attention. Writers have to write about things that are probably much larger - or much more black and white - than experiences they really have.

Multiple Purposes of Exploration

Saying Stupid Things to the Wall

When I recorded all of this, I was by myself in my room.

So much of what I said was actually spouting off to nobody. I was mulling over some really obvious assumptions about life, and sometimes just saying stupid or terrible ideas to the wall.

Because I was writing stuff that might be useful brainstorms to myself in the future, not all of what I said will make sense to anyone else. Many seemingly dark things are actually about something else entirely, and visa versa, many things that come of as casual or comedic, are actually things that I care deeply about.

Wallow in Complexity for My Own Personal Discovery

At the time of writing all this, I was in a process of upheaval. I was not sure exactly how solid the grounds of rationality were. I was attempting to cross lines that I assumed up to that point as axioms.

I was trying to set forth an effective grounds for rationality that at that point I did not see clearly.

How precise is logic and rationality? How soft and how hard is the logic of human ethics and values?

Examine the Process of Steel Manning Itself

When do we really believe in the efficacy of steel manning arguments?

What happens when we steel man what we otherwise think are obvious errors? Can we stand to use similar methods between ideas? What is missing when certain arguments appear to win for the wrong conclusion?

What happens when we use some of the tools we think are good arguments in other areas?

What structures of value and order do we impose? What values do we imply? How do we actually use beliefs in practice, to fill in gaps? Why do we feel that mystical beliefs are required to make sense out of reality? What do false beliefs substitute when we incorporate them? When do people feel that reality falls short of accomplishing moral beliefs?

As a thought exercise, what if we were to imagine the rules we might set forth for an artificial intelligence to make the value judgments that we make naturally, without even thinking about it?

Wallow in Complexity for Fictional Writing

Fiction writers must create rules, realities and controversy around things they otherwise have no business being experts in. A writer must wallow in complexity about rules of life that do not always get explicitly translated to the writing, but still govern the realities in the writing nonetheless.

Much of what I came up with in 'Prelude to Atheism' may appear to be presumptuous claims about expertise in reality, when in fact they were explorations of how to write interesting characters, humorous situations, or characters with deep flaws.

When writing fiction, a writer has to build a reality based on notions that do not have to be true in reality. A fiction writer must create politics, rules of love that the characters follow, and general areas of wisdom that may or may not be true. Characters must be created based off of real world examples that the writer narrows and doctors in order to create more interesting dynamics.


Explore/Discover a Journey From Believer to Atheist

The reason I label my journals as 'Prelude to Atheism' is to attach a tentative meaning to all that it contains. Somewhere in the explorations is a true journey out of Mormonism - which due to its nature is an unclear, nonsensical haze between realized denials that build to de-conversion - and the remembered ardent belief.

This weirdness of seeming duplicity is a complex subject in and of itself - the strangeness of belief and faith. In hindsight, I could frame things in terms of de-conversion, but at the time, I would have always believed that I believed. There is both a gradualness and suddenness to my de-conversion. I can see repression and denial in one vein, but in another way, I was completely devoted up until the point at which I consciously and externally decided to myself that I could no longer believe.

Particularly one finds this strangeness when confronting a belief in and devotion to the Book of Mormon for example. Because of the claimed origins of the Book of Mormon, it can only exist in a very tight context of either a fraud or literally following a vision from an angel, digging it up out of a hill and translating it with magical stones. Part of what I wrote about deals with the strangeness of the emotions of belief around this. Emotional to the belief strongly forged through childhood took time to wear off even after I logically decided it was false.







Tuesday, July 10, 2018

Cults and 'Secular Religion'

In 'Prelude to Atheism', there was a lot of exploration of cults and the concept of a hypothetical secular religion.

Cults

When does a cult become a cult?

Why are cults so ominous?

What is the difference between a cult and a religion?

Do religions not generally begin as cults?

Are cults bad in any comparable way to Unions being bad? Is the problem with cults wholly legitimate? - And the same with a secular religion?

The secular religion

Secular religion is a worthy thought experiment. However, could it also be a worthy endeavor?

Would it be possible to take the criticisms of religion and create a secular religion that optimally takes the value of religion, but leaves the problems of it behind.

Would a secular religion be appealing to many who stay in religious institutions despite not believing them?

Is a secular religion an unworthy enterprise, because it would end up as like non-alcoholic beer to beer? Does it come out as a pointless endeavor?

Is a secular religion merely impractical, because the heart of devotion to religious institutions is manipulative by nature?

Is a secular religion an unworthy endeavor, because the institutional aspect of religion is the very problem to avoid?

Would the truth of a secular religion inevitably have an 'uncanny valley' element that would keep it from being a solution for intelligent people?

Is there more acceptance and tolerance of religious institutions than there would be for a secular religion? ie: by virtue of age?



Societal and Political Bias

Is there a Noam Chomsky factor in starting new types of organizations? What are the incentives of existing institutions in society to allow for new types of communities and ideas?

If there is such an institutional conflict of interest, what intellectual corrections would be made to see the ideas of cults and a secular religion clearly?
  • Christianity is dominated by the conservative party
  • Higher education institutions are dominated by government
  • Work institutions are dominated by depressing corporate hype/stigmas
  • The 'military industrial complex'
  • A secular religion might not fall strictly under a definition of a religious institution. 
    • (and thus, does that not add to societal bias against such an institution by virtue of it being more unique than, rather than less ethical than, current options?)
    • may be seen as an ideological loose cannon


Desirable Attributes of Religious Institutions

  • community
    • more pointedly: 'automatic' community
  • participation
  • belonging
  • sharing
  • solidarity 
  • mutual understanding
  • group therapy
  • local service
  • show-and-tell (represent and share personal perspectives)
  • opportunities to connect to larger meaning
    • democracy
    • environment
    • poverty
    • education
  • identifying with broader/larger purpose
  • reveling in life, meaning, and goodness 
  • sharing in the identity with goodness
  • reminding one's self of purpose
  • personal gains of inner peace
  • personal gains of perspective
  • personal gains of motivation and coping

Monday, July 2, 2018

Antithetical to the 'Soul'

In the piece I recorded that I call 'Prelude to Atheism', there was a constant thread of exploring the concept of the self and the soul in contrast to your only hope of identity being what others see - a sense of identity that most of us take for granted.
  • what inside you inspires your speech?
  • what inside you inspires how you argue, or take stances on ethical issues? 
and then:
  • how do you identify and then circumvent or alter what you would say naturally, perhaps like an actor? 
  • what does the act of altering what you would say mean with relation to how you are seen?
  • Are you still the same person if nobody else sees you as you have been seen before?
and finally: (The Unspoken)
  • how does it effect one's view of the objective?
  • Is there an objective way to judge others, or yourself?
As an author, I wanted to really highlight the desperation and loss of hope, and the terror in this new prospect - that my integrity and internal perspective were suddenly demoted by a large degree. In my authorship, I tried to bring this out in my notes to myself in characterizing myself through methods that bring out what I called being 'antithetical to the soul'.

The theme roots down to an under-appreciated dilemma upon entering a skeptical mindset from a religious one - who/what will skepticism allow me to be now in this newly soulless perspective? What am I to myself? Does it matter? What is integrity if I am say: just a naturally quiet person?

The general notion was, "what if I say things out loud that are 'antithetical to the soul' - what I deemed against my identity?" What does it matter to only be judged by others compared to being judged by a perfectly understanding Christian God? Does it not pale in comparison.

This concept can only be appreciated by those religious people who have an extensive reserve of deeply internal personal truths related to God. This idea can easily be confused with debates around whether or not to be good only for fear of God, or to tell the truth, or generally do what is right, only for the fear of God. It is the question of the personal relationship to your identity for your 'relationship' with said God in the face of a secular perspective that on the face presents your identity as an illusion.


Further Exploration of Soul and Self

Is there common secular language for any concept of your deep internal self, or is it simply left at the self being an illusion? What is the well one draws from in order to inspire consistent action from one moment to another - not simply right-and-wrong, but a well that inspires consistency?

From this topic of exploring the concept of yourself as an illusion stems deeper questions.
  • Is there a societal or cultural double standard on how people are judged? 
    • How are people judged by a standard of having a self?
  • If the self is an illusion, then how does a person reconcile being judged by others by standards of consistent narratives?
  • Ultimately, what good is it to perceive one's self as an illusion? 
  • Where does the rubber meat the road in accountability to a consistent self?
  • what is the layperson's method of perception? 
  • What is the evolutionary psychology of self perception?


The Unspoken

"Prelude to Atheism" might also be described as "Prelude to Science."

Although many other topics were explored, the overarching subject was always about the general dilemma of atheism and religion.

The narrator (not always a representation of the author) is a person slowly coming around to concepts of reason and science. In the process, many apprehensions towards that end, from various angles, are brought up.

One of these apprehensions dealt with the notion of autonomy and the unspoken. At the time I was constructing the rhetoric of the piece, I had deeply wallowed in concerns about objectivity versus subjectivity. ie:
  • what do rationalists/skeptics believe about private truth?
    • in the context of guilt and accusations, how do people articulate concepts of personal truth and accounting?
    • where is the discourse of forgiveness and benefit-of-the-doubt in any given discussion about guilt and skepticism?
    • where is the concept of innocent until proven guilty?
  • if a person is to adopt the discourse of skepticism, then 
    • where does a person exercise faith in humanity?
    • where is the discourse for meaningful personal relationships of trust?
    • where is the value of deep personal feelings?
Coming from a Mormon (LDS) upbringing, the notion of deeply felt personal testimony, and the value of personal testimony had been drilled into me. I drew heavily from a new dilemma that I was being confronted with as an author - I was in terror at the idea that internal feelings no longer mattered. It felt to me that in order to become a skeptic, that I was also being asked to lose my identity and value as a person.

The topic of autonomy and the unspoken observations and feelings of the individual became the most central theme of my writing. After all, if an individual's feelings no longer matter, then what is morality or goodness or any of it worth? What is an ethical discussion outside of people's deeper feelings?

A good portion of what I recorded was about brainstorming a series of basic questions around essential assumptions concerning lies and truth. As such, many of the notes I recorded were about situations and scenarios that I never intended to occur, and never foresaw occurring, but were merely notes to myself about people and places and perspectives that I could differentiate at some future point to understand the notes I was taking.

This is a disclaimer to anybody who might have heard my recordings. There are false perspectives shared that are not truly my own (consistent with the theme I was exploring). There are untruths that are presented as examples to myself of different nuances of lies and truths that might later be applied to the development of artificial intelligence's rules about personally deciphering truths and lies in others as well.

'The unspoken' came to mean, not only forthright obvious discussions of the author, but also of what the author (me) was leaving out. It was intended for me to decipher at some future point.

Sunday, December 14, 2014

Symbolism in 'Prelude to Atheism'

Naked in the Woods

The woods thing is made up. What perspectives does it validate? Does its falsehood invalidate that issue from being embarrassing to the Church? Does it make you feel more/less sympathetic to the narrator? Does it shock you into being more or less serious

There's also the aspect of symbolism. Nudism/sexuality are symbols for the naked truth - being ashamed of it - coming out with it. Many jokes only make sense if the symbolism is understood. (Moments of truth around nature and animals.)

Killing the Turtle 

At some point, I laid out a controversy about killing a turtle and then putting it in the road to be run over by a car. 

In actual life I did not kill the turtle. However regrettably I did lay the turtle out in the road to be run over (after it had died in captivity).

In the way I laid it out as being an extremely important and crucial question, it was an example of the meaningless of some truths that are hyped up to be such pivotal issues in a world of nonsense and manufactured consent.

That portion of 'Prelude to Atheism' was also about various ways that we come to interpret certain ways people either tell the truth or lie. It follows the thread of analyzing honesty - the culture of honesty and telling the truth - the culture of trust in light of some lies - some truths - etc.


Sexual Relationships

Sexual relationships in general are a symbol of the attraction and entanglements with the emotional aspects of a belief system. Is a belief system emotionally manipulative, is it possessive, is it about molesting children (figurative).

Because sexual relationships in 'Prelude to Atheism' are symbolic, they do not hold up to reality. There are descriptions of molestation that are purely symbolic - and other aspects of religion that are symbolic of various perspectives on peoples' encounters with religion.


Physical Death = Spiritual Death

However contrived it may seem, mentions of death or killing in 'Prelude to Atheism' dealt with the Christian metaphor of what is called the '2nd Death' or a spiritual death.

Though I do not follow this belief system anymore, the writing was exploring it. In the Christian sense, spiritual death is a positive thing. It represents a fulfillment of a person's at-one-ment. It means that you have reached a level of spiritual transcendence as to resolve inner turmoil and strife. It is akin to seeing the world with your 3rd eye, as in Eastern religions. You are living in the moment, and you are at peace with everything around you. In one sense, the self is no more.

Real life versus Intentions to Fictionalize

It is extremely crucial for me to communicate that many of the ideas in this writing were intended primarily as brainstorms for how to write characters into a fictional work. 'Prelude to Atheism' in one dimension was simply an effort to wallow in complexity in many cases. Real life personalities and psychologies are too complicated for the interpretations I laid out, and I do not deem myself an expert in this matter.

Writers construct characters that have faults and strengths. They take the rights of interpretation into their hands. They must play God and make assertions about the Universe in realms where they lack expertise. They make statements despite not having degrees in political theory, the social sciences, or theology.


Manipulation

Much of the symbols are supposed to be humorous, or dark. Much of it leads to cheap tricks and manipulation.

The manipulation turns out later to be about symbols and about the nature of truth and lies. It leads to questions about scripture and the manipulation that can result from discrepancies about what is literal, figurative, symbolic, or intentional/unintentionally misleading/dishonest. This discussion leads to questions about the proper methodology of beliefs and relationships to types of truth - and the potential negative consequences of relying on symbolism and deep emotions to control people.

The contortions of truth are supposed to invoke darkness, anger, or feelings of distaste in order to reflect the feelings of leaving Mormonism. The symbolism is not done smoothly, but in a very technical, sickening way while the narrator is proud of how great it is.

updated 07/02/2018

Thursday, November 20, 2014

Disclaimer

My journals were a back and forth dialogue that spiraled higher and higher into greater points for both atheism and religion/Mormonism, and eventually human beings generally. It revolved around as many of the ethical/truth issues affecting my overall decision to leave the LDS Church as possible - giving exhaustive attribution to all scopes and plains of the reasoning.

The spiraling created a trajectory from what I posed as lesser points, into what I imagined where greater considerations. The overall trajectory is important to constructing a larger thesis. The lesser points were deliberately heavy handed, to use reverse psychology tactics to set up entirely altered premises along the trajectory.

Much of the first person dialogue is put forth that way in order to pull the reader in, and see what it might be like to think one way or another, like one would be pulled into a fictional character. The perspectives should not be fully attributed as mine. (Please stop acting like they are. When you react emotionally, or judge me for having that perspective, you don't understand what's happening.)

Issues spanned from human rights, into symbolism, into grammatical phenomena that effect what we believe. All of it is wrapped up eventually in a perspective that one would consider.

Symmetry in argument is used to reveal holes - and used to point out that it doesn't always exist. I related it to velociraptors being 'clever girls'. Though even these were still often pretentious, ignorant or dubious.

Part of the grammar issue is in asking a question about what makes people human. I attempted to propose grammar phenomena as a lens for all beliefs and the illusion of consciousness - and to explain my state of mind in some situations.

As such, grammar tricks are used throughout. It was never meant for 'general consumption', and I'm worried at some of the ways in which I phrase my own motives, behaviors, and perspectives - as well as others'. The majority of the time, they were framed in parallels, or just one side of a parallel duality of good and evil - deliberation and accident - ignorance and intelligence - pride and humility.

ie:
  • What are the relationships between ethics and truth?
  • What are the relationships between what we say - what we believe - what we do?
  • What are the relationships between emotion and logic?
  • How do we define and value subjectivity and individuality with reference to objectivity?
  • What indirect assertions do we make about ethics when we posture certain beliefs, and how do they play out if we turn them into founding principles?
  • What is right and wrong?
  • How do we value simplicity or complexity? When are we driving too fast or too slow? or When do we become too logical or too emotional?

Another purpose that intertwined with everything else was in practicing different writing techniques, like making characters unlikable or deeply villainous - controlling these different aspects of writing - and then sometimes pointing it out to make points about how people think - asking questions about what makes a villain a villain.